Great Movies
MZS
From the archives: the first profile of Wes Anderson and Owen Wilson
From the archives: RogerEbert.com editor Matt Zoller Seitz reprints the first-ever profile of Wes Anderson and Owen Wilson, written for Dallas Observer in 1993
From the archives: RogerEbert.com editor Matt Zoller Seitz reprints the first-ever profile of Wes Anderson and Owen Wilson, written for Dallas Observer in 1993
A new video essay explores how Terrence Malick's distinctive voice-overs evolved and expanded over time
In this quiet, gentle drama from director David Gordon Green, a man and his brother-in-law (Paul Rudd and Emile Hirsche) repair stretches of highway damaged by wildfire, avoiding and then confronting family secrets and their own deepest fears.
"Frankenstein's Army" is no perfect beast. This horror feature from director Richard Raaphorst and writer Chris Mitchell has all the hallmarks of what I call a "reel" film. By that I mean it's a feature length production demo with sets, characters and a story of sorts.
Our new Twitter account is now active. Let me explain our thinking about the new Twitter feed.
Ailing 'Simpsons' co-creator to give away fortune; 'Fruitvale Station' and Trayvon Martin; how comic-book movies make movies irrelevant; correlating violence to hairstyle on 'Breaking Bad.'"
The Civil War drama "Copperhead," about a pacifist (Billy Campbell) who thinks the war's not worth the pain it's causing the country, is earnest and noble, and tells such an unusual story that one wishes it were a better movie.
This DreamWorks animated picture has an appealingly bizarre premise—a racecar-crazy snail (voiced by Ryan Reynolds) dreams of competing in the Indianapolis 500—and its sense of humor is so odd that at times you wonder if the movie is sending up the cliches that it wouldn't exist without.
