The Photograph is an enjoyable enough love story, and sweet enough to indulge in during a holiday dedicated to candy hearts.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
The movie is called "Blue Steel," and Jamie Lee Curtis stars in it as a female cop who can't convince her superiors that a psychopath is trying to kill her. But first he wants to scare her. So he materializes out of shadows and from behind parked cars and from darkened stairways, and he toys with her emotions until she's a basket case. Meanwhile, he's murdering other people all over town--and when the cops dig the bullets out of the dead bodies, they all have her name etched on them.
Angered by the omission of "Roger & Me" from the list of nominees for this year's Academy Awards, leading documentary filmmakers are circulating a letter of protest to the Motion Picture Academy, calling for revision of the selection process, and a write-in vote for the film. At the same time, a controversy is developing over the role of one of the members of the Academy's documentary selection committee - whose own company holds the distribution rights to three of this year's five nominees.
LOS ANGELES -- When Steven Spielberg's "Indiana Jones and the Last Crusade" begins turning up in video stores in late January, the video industry will be watching the sales figures with intense curiosity. Not because there's any suspense over the film's popularity - it's expected to sell millions of copies. But because this will be an acid test for the controversial practice of "letterboxing."
Where do I start? With his tattooed lady? With how he hugged the mongoloid children to coax performances from them? Perhaps with the elephant's funeral, when the enormous casket went tumbling down the hillside, and the shanty people tore it open to get at the fresh meat inside?
LOS ANGELES -- We were sitting in the corner of a hotel room, and the lights had been turned off, and the cold December twilight was sifting in through the window, and William Hurt was talking in that introspective way of his -- musing about his ideas as he explained them.
LOS ANGELES "The Accidental Tourist" is one of the bleakest comedies I've ever seen, a movie so sad you can hardly believe you're laughing a lot of the time, and that you're walking out of the theater feeling good. A lot of that credit for that paradox belongs to an actress named Geena Davis, who walks into the movie and walks out with William Hurt's dog.
LOS ANGELES Kurt Russell says that Mel Gibson has a sort of Gary Cooperish quality, a kind of inbred honesty that comes across no matter what kind of role he's in. That quality is so strong that it even causes some confusion in "Tequila Sunrise," the new thriller now at Chicago area theaters in which Gibson plays a retired drug dealer, and Russell plays the narc who was his boyhood friend.
'I had some guy this morning - I hate questions like this - some guy who said to me, Do you perceive yourself as kind of a ditz? I wanted to bust him in the chops. But I held back. Because being on `Letterman,' people get that idea."
It's still the same old story,
There is a scene in "Things Change" where Don Ameche is in a steam room with a towel draped across himself, and this is not a man who looks 80 years old. You look at the scene and you reflect that he made "Ramona" in 1936 and has two movies coming out in the autumn of 1988 and you wonder what his secret is. He is glad to share it with you. His secret is clean living.