Manville has to go through a kaleidoscope of moods and emotions, and every one of them is precise, fearless, and searingly real.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Q. Which film is gonna win?
The ballots by now have been received, and the members of the Academy of Motion Picture Arts and Sciences have presumably closeted themselves with their consciences and their memories to nominate the best work in the films of 1991.
LOS ANGELES -- Oliver Stone talks rapidly and yet with a certain weariness, as if he knows the answers, but fears he will not be listened to. He defends his new film, "JFK," with a rush of dates and references and facts, and then when he is asked about the film's detractors, he reveals an underlying bitterness:
He is a most precise man, choosing his words with care, saying exactly what he thinks and letting you know he has thought about it a good deal. And with precision and great intellectual clarity, Peter Greenaway makes films that shock, infuriate, confound and bedevil his audiences.
LOS ANGELES Demi Moore plays a psychic in "The Butcher's Wife," and in preparing for the role she consulted with two real psychics, and they said she. . .
LOS ANGELES In the old Frank Capra movies, Jimmy Stewart or Gary Cooper would stand up and make a passionate speech in defense of old-fashioned American values, and everybody would cheer and the movie would be over.
Here is perhaps the finest young actor in American movies, and he says he's decided to say the hell with it, and walk away from acting, and direct films for a living. Did the gossip machine destroy Sean Penn, or is this just a phase he's going through?
Frank Capra was a member of the most exclusive club in the world of film - those few directors with a style so personal that their names have been turned into adjectives. Words like "Felliniesque," "Hitchcockian" and "Wellesian" summon up instant images of the distinctive universes of their creators. And "Capraesque" evoked a world of little guys who stood up against the system, of poor people who insisted on their dignity, of small towns with bedrock values, of government that sometimes balked but almost always did the right thing when the voice of the people was heard.
Now that "Terminator 2: Judgment Day" has opened to long lines and the best box office business in many a month, here are 20 reasons why Arnold Schwarzenegger is the number one movie star in the world:
A dozen things I learned while talking with Spike Lee:1. The Bulls will win it: "Michael Jordan said to me, there's no guarantee they're ever gonna make it back. So he guarantees this is gonna be the year."