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Jexi

Although the title is confounding and perhaps the movie’s worst misstep, it’s Byrne’s digitized and stilted delivery that earns the biggest laughs.

Gemini Man

Lee's recent desire to be at the forefront of frame-based technology, however, is resulting in hollow, empty experiences that are literally hard to watch.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Dolly Parton: Gee, she's really nice

Update, 2008: This 1980 interview is all quite true, but it entirely misses something. It must have happened at a different time, and I can't track down the piece. Here's what I remember. I had a one-on-one interview with Parton in a hotel suite. As we spoke, I found myself enveloped by her presence. This had nothing to do with sex appeal. Far from it. It was as if I were being mesmerized by a benevolent power. I left the room in a cloud of good feeling. Next day, Siskel and I were sitting next to each other on an airplane. "This will sound crazy," he said, "but when I was interviewing Dolly Parton, I almost felt like she had healing powers."

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Remembering Mae West

Mae West, who gave her name to a life jacket and her style to an era, is dead at 88. She died of natural causes Saturday in the Hollywood apartment building she owned -- in the all white, flower filled penthouse where in recent years a parade of admirers had come up to see her sometimes.

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Interview with James Coburn

TORONTO, CANADA - James Coburn is one of those movie stars who inspire an instinctive reaction in a lot of people. They seem to believe he's getting away with something. Maybe it's that grin, the one that somehow suggests that fate has given Coburn a free lifetime pass. In the 1960s, that decade when the generation under 30 seemed drenched in euphoria, Coburn's grin hinted that he was...well, always stoned. Now it is 1980, and the grin still hints at the same thing. James Coburn is not, however, always stoned. He just looks that way; it's part of his image.

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Interview with Paul Mazursky (1980)

LOS ANGELES - Paul Mazursky, in 1980, is very much an outsider in contemporary Hollywood. At a time when the bosses of the major studios are engaged in games of musical chairs, when few studio chiefs give any thought to long-term filmmaking philosophies. When the creative deal is more highly regarded than the creative film, when bloated budgets are poured into films that will become either monster hits or complete write-offs...at a time like this, Paul Mazursky is so out of date he seems almost Victorian.

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Interview with Bette Midler

TORONTO, CANADA - About halfway into "Divine Madness," Bette Midler is doing a series of dirty jokes and somebody in the audience shouts out that she should tell the taco joke. "The taco joke?" Bette asks. "You think I'm crazy? I know what the movie audience will go for, how much I can get away with.... Remember, this is the time-capsule version."

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Interview with Glynnis O'Connor

LOS ANGELES - It's a Hollywood rite of passage, a young actress' transition from playing teenagers to playing young women. Agents, managers and the actress herself study dozens of scripts, searching for the right one, the one in which the actress can grow up gracefully and alter her image for the long haul through her 20s and 30s.

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