Road Diary: Bruce Springsteen and The E Street Band
What emerges is the picture of an artist who doesn’t see a perfect performance as defined by accuracy. Instead, it’s a vehicle for remembrance.
What emerges is the picture of an artist who doesn’t see a perfect performance as defined by accuracy. Instead, it’s a vehicle for remembrance.
It’s disjointed in its best moments and flat-out bad in its worst, and by the end of the series, it feels like a waste of time.
It feels as if “What We Do in the Shadows” has outstayed its welcome, with each episode feeling increasingly bloated as time goes on.
“Hysteria!” isn’t frightening enough to be a horror series, nor wacky enough to be funny.
Not only does Kendrick give a typically intelligent and spunky performance, but as a director, she shows a keen curiosity about the power of the gaze.
Tjahjanto scores again with considerable help from Irawan, Irfan, and a generally strong ensemble cast.
Despite making the case that celebrities are complex human beings just like the rest of us, this documentary lacks a human touch.
This is the year in which the Jason Segel dramedy really finds its voice, confidently balancing its comedic and emotional currents in a way that’s entertaining and moving.
Cuarón’s lyrical script and elegant direction toys with expectation and assumption, drawing you into one perspective before flashing to another’s.
“Tomb Raider: The Legend of Lara Croft” is the finest the character has been realized in an adaptation.
You can feel the TV creator playing tug-of-war with the original author in a way that buries themes, makes characters shallow, and loses the potential of both projects.
“Sweetpea” feels fresh from beginning to end, offering us a gripping story right down to the final episode’s shocking cliffhanger.
Two artists, at the height of their craft, making something fun and new.
It probably would’ve been better if “The Platform 2” had simply remained locked away.
A review of a new HBO series from the creator of Veep and The Thick of It.