Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
Its final five installments are classic “Cobra Kai”—melodramatic, cheesier than a charcuterie board, and deeply affectionate towards its sprawling dojo of misfits.
Its final five installments are classic “Cobra Kai”—melodramatic, cheesier than a charcuterie board, and deeply affectionate towards its sprawling dojo of misfits.
“La Dolce Villa” is about as authentic an Italian experience as a night at the Olive Garden.
Might be my favorite season yet.
The romance feels real, kinetic, in the way only new relationships can.
While the series feels desperate to engage with the dark side of wellness culture, it doesn’t necessarily have much to say.
Links to reviews of the biggest titles on Netflix this month.
It’s a show produced by algorithms and focus groups, a product with no pulse whatsoever.
Although “Lucca’s World” features an unorthodox plot twist for these kinds of movies, the film itself is pretty unsurprising.
“You’re Cordially Invited” is reheated comedy leftovers, for the most part, but there’s enough warmth, sentimentality, and belly laughs to make for a raucous timewaster.
It’s truly the best animated iteration of Peter Parker since “The Spectacular Spider-Man.”
A consistently easy watch, only feeling hollow in retrospect. It moves quickly enough that you don’t really notice it’s not nutritionally satisfying. Sometimes that doesn’t matter.
“Sly Lives! (aka The Burden of Black Genius)” is a sonic kick to the soul.
There is no point to CBS’s utterly stale procedural “Watson.”
The kind of solid programmer that takes its audience for a slick and satisfying ride without challenging them too much.
It’s both terrifying and moving to realize that these people are forced to live in their own imaginations in order to survive.
It feels like the action is more severe, and the stakes in “The Night Agent” have also been raised.
Ultimately, this new attempt at a conspiracy thriller is myopically preoccupied with appearing smarter than it is.