Don’t Bother Waking Up for “On Call”
It is entirely possible that both actors on “On Call” are actually talented; they just don’t have much to do.
It is entirely possible that both actors on “On Call” are actually talented; they just don’t have much to do.
A manipulative tale of survival, as tasteless as it is hollow.
“Shifting Gears” won me over easily.
I still greatly admire “Severance” just for existing, but it’s a show weighed down by its own ideas for the first half of this season, a program that has lost a step by trying to do too much.
“The Pitt” is a smart show that values character detail and intricate medical science that sometimes succumbs to doses of melodrama that can be forgiven for everything that it does very well.
Carteni leads a cast of endearing performers, all of whom work well together even when the narrative gets a little silly.
FOX’s “Going Dutch” is the first comedy misfire of 2025.
A sturdy, handsomely mounted period piece depicting the emotional toll required for freedom.
The film raises questions about our assumptions that are provocative and worthwhile.
A review of Sony’s sprawling new box set of 21 films from the Golden Age master’s time at Columbia Pictuers.
“Squid Game” is back and ready for some new games.
“Wallace and Gromit: Vengeance Most Fowl” feels like a warm blanket by the fire on a snowy day.
“The Six Triple Eight” has its heart in the right place, it’s just not a particularly good film.
A wry, effervescent series that’s laser-focused on the flightiness of modern millennial dating life.
After months of morose awards season fare, there’s something so refreshing about the refined simplicity of the Netflix original “Carry-On.”
Filmmakers Laura Mora and Alex García López clearly have great reverence for the work, and perhaps it needs this literal translation to screen.