Solid Acting Saves the Familiar Premise of “Get Millie Black”
A TV review of HBO’s Meet Millie Black.
A TV review of HBO’s Meet Millie Black.
Mani reminds the viewer that as long as such young minds hungry for freedom, justice and education exist and make noise, the patriarchy has something real to fear.
A largely forgettable venture that families will watch during Thanksgiving break before the Netflix algorithm buries it forever.
Mike Schur has reunited with his Good Place star Ted Danson for a lovely, charming, human comedy.
Farrow is an ideal centerpiece presence for “Surveilled,” because he’s both a good reporter and a crisp communicator.
A sharp, stylish commentary on the lack of Asian representation in ’90s media.
A review of the new show from the creator of Yellowstone, Mayor of Kingstown, and Tulsa King.
If you’re familiar with the outlines of John’s life, you won’t be surprised by the major milestones.
Alex Cross finally gets the adaptation he deserves.
A review of the first half of the new season of Netflix’s “Arcane”.
A review of the new Max show set in the world of Frank Herbert’s Dune.
A TV review of what might be Apple’s best show.
“The Piano Lesson” acknowledges that discussion and engagement must be the first step to resolution.
The space to showcase his strengths while working out some of the storytelling mechanics.
“The Day of the Jackal” is one of this season’s generally great surprises.
Like a John Williams score, it lingers in the mind after the final credits have ended.