Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing
This latest iteration is rooted firmly in the haunting and bleak foundation of the original series.
This latest iteration is rooted firmly in the haunting and bleak foundation of the original series.
One can tell that the people closest to the victims of the Idaho murders trusted Garbus and Galkin, and that trust is the foundation for why this series works (and it’s why so many similar shows feel like exploitation).
If you’re looking for a procedural thriller that’s grounded by grit, genuine leads, and complex cases, “Ballard” gets it done.
The best movies on Netflix this month include “Mad Max: Fury Road,” “Jaws,” “Mission: Impossible,” “A Star is Born,” and more.
The 18 shows of 2025 that you need to have seen to talk about TV this year.
Despite this being a path to the end of the series, it will end with a bang instead of a whimper.
“Dear Ms.: A Revolution in Print” reminds us that physical media and its place in our homes are vital.
It’s stupid fun, done with enough panache that its thin story and sometimes too-glib attitude doesn’t hurt it too much.
Netflix’s slick follow-up to their hit pandemic-era fantasy action film, lacks any sizable reason to be invested in its existence.
“Nautilus” is fun to watch and feels ever so slightly subversive.
Season 3 plays largely the same game as the previous season, with an added dose of tortured pathos.
On balance it’s one of the most buoyant and joyous pieces of television I’ve experienced in years.
A series with no discernible story, character development, or sense of purpose.
It’s a shame that the series seems so intent on burying its lead beneath the rubble of the dying franchise to which she belongs.
“Melrose Place” on the seas.
The seriousness of this season has transformed the show for good.
It’s a shame “Echo Valley” never quite finds its footing until the end because it has so many promising qualities.
The series buckles under the weight of the novel it’s adapted from, shackling Biel to its restrictive formula and unfolding like a dull book you desperately want to put down.
It’s a film that reminds you how much silly plotting you’ll accept as long as you’re laughing.