Netflix’s “Hostage” Fails to Hold the Audience Captive
If they handed out Emmys for dull television, then I am certain “Hostage,” a limited British series now airing on Netflix, would make a clean sweep.
If they handed out Emmys for dull television, then I am certain “Hostage,” a limited British series now airing on Netflix, would make a clean sweep.
“The Twisted tale of Amanda Knox” just doesn’t add enough new to the conversation for anyone who knows this story.
Gunn has doubled down on the small moments that made this series stand out, crafting a second season that almost feels like an entirely different show.
A surprisingly superior second season.
“The Rainmaker” is stimulating enough without asking any broader questions.
“Butterfly” looks good and never stops moving, but it doesn’t make my heart flutter.
“Alien: Earth” is like nothing else on television.
Season 2 seems to have righted the ship and given Netflix’s latest mascot a more delicious meal to chew on…. so far.
“Platonic” is sweet and light and makes for perfect late summer viewing.
With nowhere else to go, “My Oxford Year” wears out its charm with a half-hearted end.
The series is crafted with an overwhelming perspective of wonder and richness.
This is a world of consequences, where Black leading characters are rendered in fullness.
None of it is cutting-edge, but that’s OK.
One of the most surprising jumps in quality from a first to second season in a very long time.
We break down the best and the worst of humanity, and Netflix’s smash hit disaster-porn documentary series.