Sundance 2017: “Beatriz at Dinner,” “Wilson”
Reviews from Sundance of two star-studded Premiere titles, “Beatriz at Dinner” starring Salma Hayek and “Wilson” starring Woody Harrelson.
Reviews from Sundance of two star-studded Premiere titles, “Beatriz at Dinner” starring Salma Hayek and “Wilson” starring Woody Harrelson.
A review from Sundance of Maya Forbes’ “The Polka King,” which had its world premiere Sunday night.
Reviews from Sundance of two World Cinema Dramatic titles, “The Nile Hilton Incident” and “Don’t Swallow My Heart, Alligator Girl!”
Reviews from Sundance on three ambitious films based on original screenplays, “Novitiate,” “Colossal” and “Bitch.”
A review of two disappointing competition titles from talented filmmakers.
A review of David Lowery’s masterful “A Ghost Story.”
An interview with the directors of Sundance breakout “My Happy Family.”
A dispatch on two high-profile Sundance premieres, starring Jason Segel and Jeremy Renner.
Documentaries “Tokyo Idols” and “Icarus” maintain the Sundance tradition of a good non-fiction mystery that takes the form of an expose.
A piece on three very strong docs from the U.S. Competition program of Sundance 2017.
Reviews from Sundance of two films from the World Cinema Dramatic competition, “My Happy Family” and “The Wound.”
An updating table of contents featuring all of our coverage of the 2017 Sundance Film Festival.
A review of the first Sundance 2017 breakout, the fantastic The Big Sick.
A report on three of the first competition films from this year’s Sundance, all falling just short of effective.
Three strong docs that premiered at Sundance 2017, including an incredibly moving document of survival.
Three Sundance reviews, including “Person to Person,” starring Michael Cera and Abbi Jacobson, and two World Cinema Dramatic titles.
The sequel to Al Gore’s successful documentary “An Inconvenient Truth” had its world premiere at Sundance on Thursday night.
Two fantastic entries from Sundance’s World Cinema Documentary category implement unusual filmmaking to focus on universal political issues.
Whenever people ask about what the Black Lives Matter movement is, whether it’s a year or 50 from now, I will tell them to see director Sabaah Folayan’s documentary “Whose Streets?”