RIFF 2018: Table of Contents
A table of contents rounding up RogerEbert.com’s coverage of the 2018 Reykjavík International Film Festival.
A table of contents rounding up RogerEbert.com’s coverage of the 2018 Reykjavík International Film Festival.
A report from the New York Film Festival on three international films.
A dispatch from the 2018 Reykjavík International Film Festival, featuring a review of Benedikt Erlingsson’s “Woman at War,” coverage of the Jonas Mekas exhibition and an interview with “Phoenix” director Camilla Strøm Henriksen.
A dispatch from the New York Film Festival on two documentaries and two revivals of film noir classics.
This story has been told several times before—and influenced other similar romances—but Cooper and Gaga find a way to make this feel fresh and new.
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Milko Lazarov’s “Ága” and Yann Gonzalez’s “Knife + Heart.”
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Christian Krönes and Florian Weigensamer’s “Welcome to Sodom,” Marta Prus’ “Over the Limit” and Golden Egg contenders including Heui Son’s “Daughter’s Table.”
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Nicole Nielsen Horanyi’s “The Stranger” and László Nemes’ “Sunset,” as well as a visit to the Icelandic Phallological Museum.
A look back at the horror and genre films that played last week’s Fantastic Fest.
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Camilla Strøm Henriksen’s “Phoenix” and Wolfgang Fischer’s “Styx.”
A dispatch from the New York Film Festival on four films, including a short by Captain Marvel writer Nicole Perlman.
A dispatch from the 2018 Reykjavík International Film Festival covering Sergey Loznitsa’s “Donbass” and a Swim-in-Cinema screening of Luc Besson’s “The Fifth Element.”
A preview of the 56th annual New York Film Festival.
It brings me no joy to say that Jeremy Saulnier’s newest, and arguably his most ambitious, film is his first misfire.
An article about the 41st Mill Valley Film Festival honoring USC Annenberg associate professor Stacy L. Smith and devoting 45% of its lineup to films by women directors.
Life Itself loads up plot line on top of plot line to imitate emotional depth, and that kind of narrative manipulation doesn’t work for everyone.
Call it a revisionist or an absurdist Western if you will, but Audiard’s film feels both refreshingly new and nostalgically familiar.
This documentary on his life’s work offers a personalized glimpse into a bygone world of entertainment and the legacy of racism that black artists still grapple with today.
A sneak peek at this year’s Chicago International Film Festival, which runs from October 10-21.
Claire Denis accepts the Golden Thumb at the 2018 Ebert Tribute at TIFF.