Cannes 2022: Elvis, Jerry Lee Lewis: Trouble in Mind, Moonage Daydream
A dispatch from Cannes on three world premieres about musical legends.
Festivals & Awards
Cannes 2022 Video #5: Crimes of the Future, De Humani Corporis Fabrica, R.M.N. and IndieCollect’s Call for Film Preservation
Our fifth video dispatch from Cannes 2022 includes reviews of Crimes of the Future, De Humani Corporis Fabrica and R.M.N., along with IndieCollect’s call for film preservation.
Cannes 2022: Showing Up, Broker, Close
Kelly Reichardt turns up in Cannes with Showing Up, a late competition highlight.
Mellody Hobson Receives 2022 Lincoln Leadership Prize
An article about Mellody Hobson receiving the 2022 Lincoln Leadership Prize.
Cannes 2022 Video #4: Scarlet, Aftersun, One Fine Morning and YouMatter Studios
Our fourth video dispatch from Cannes 2022 includes reviews of Scarlet, Aftersun and One Fine Morning, along with a look at YouMatter Studios.
Cannes 2022: Stars at Noon, Leila’s Brothers, Pacifiction
Claire Denis’s Nicaragua-set romantic thriller is a fascinating change of pace for her.
Cannes 2022: Decision to Leave, Tori and Lokita, Funny Pages
Park Chan-wook makes a “Vertigo” riff with “Decision to Leave.” With “Tori and Lokita,” the Dardenne brothers revisit some old interests.
Cannes 2022 Video #3: Triangle of Sadness, Three Thousand Years of Longing, Hunt
Our third video dispatch from Cannes 2022 includes reviews of Triangle of Sadness, Three Thousand Years of Longing and Hunt.
Cannes 2022: Tirailleurs, God’s Creatures, Enys Men
Another diary dispatch from a critic’s time at Cannes, including thoughts on new films by George Miller and James Gray.
Cannes 2022 Video #2: The Mother and the Whore, Armageddon Time, The Eight Mountains, EO
Our second video dispatch from Cannes 2022 includes reviews of The Mother and the Whore, Armageddon Time, The Eight Mountains, and EO.
Cannes 2022: Crimes of the Future, De Humani Corporis Fabrica
Crimes of the Future and De Humani Corporis Fabrica both explore the contours and horrors of the human body. They’re both among the best films at Cannes.
Cannes 2022: Holy Spider, Forever Young, Aftersun
A serial-killer movie set in Iran, a French acting-school memoir, and a British father-daughter story have all debuted at this year’s Cannes.
Cannes 2022: Fest Launches with Zombies, Art Movies, and Maverick
A recap of the launch of the 2022 fest, including an appearance by Tom Cruise.
Cannes 2022: Triangle of Sadness, R.M.N., Three Thousand Years of Longing
Ruben Östlund’s latest satire shoots fish in a barrel but is still pretty funny. Cristian Mungiu delivers a film of great complexity.
Cannes 2022: One Fine Morning, Brother and Sister, Mariupolis 2
At Cannes, Mia Hansen-Løve’s “One Fine Morning” and Arnaud Desplechin’s Brother and Sister complement each other well.
Cannes 2022: Armageddon Time, Eo, Rodeo
James Gray delivers a highlight of the Cannes competition with the forthrightly autobiographical Armageddon Time.
Cannes 2022: Table of Contents
An updating table of contents for all of our Cannes 2022 coverage.
Cannes 2022 Video #1: Opening Night Welcomes Ukrainian President Volodymyr Zelenskyy and Final Cut
Our first video dispatch from Cannes 2022 includes coverage of the opening night screening of “Final Cut,” preceded by a speech from Ukrainian President Volodymyr Zelenskyy.
Cannes 2022: Tchaikovsky’s Wife, The Eight Mountains, Scarlet
With Tchaikovsky’s Wife, the Russian dissident director Kirill Serebrennikov was finally able to be present for a new film’s premiere in Cannes.
Cannes 2022: Final Cut
The 2022 Cannes Film Festival kicked off with an address from Ukrainian president Volodymyr Zelensky. The opening movie, meanwhile, was a dismal remake.
