The Chambermaid is a painfully astute observational drama about a young woman working in one of Mexico City’s posh hotels.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Ben Kenigsberg makes his predictions for the 2017 Cannes awards.
Brian Doan wonders if Mark Cousins' "The Story of Film," showing over 15 weeks on TCM this fall, deserves all the praise it has received.
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UPDATED 01/28/10: 2:25 p.m. PST -- COMPLETED!: Thanks for all the detective work -- and special thanks to Christopher Stangl and Srikanth Srinivasan himself for their comprehensive efforts at filling the last few holes! Now I have to go read about who some of these experimental filmmakers are. I did find some Craig Baldwin movies on Netflix, actually...
Srikanth Srinivasan of Bangalore writes one of the most impressive movie blogs on the web: The Seventh Art. I don't remember how I happened upon it last week, but wow am I glad I did. Dig into his exploration of connections between Quentin Tarantino's "Inglourious Basterds" and Jean-Luc Godard's "History of Cinema." Or check out his piece on James Benning's 1986 "Landscape Suicide." There's a lot to look through, divided into sections for Hollywood and World Cinema.
In the section called "The Cinemaniac... I found the above collage (mosaic?) of mostly-famous faces belonging to film directors, which Srikanth says he assembled from thumbnails at Senses of Cinema. Many of them looked quite familiar to me, and if I'm not mistaken they were among the biographical portraits we used in the multimedia CD-ROM movie encyclopedia Microsoft Cinemania, which I edited from 1994 to 1998, first on disc, then also on the web. (Anybody with a copy of Cinemania able to confirm that? My Mac copy of Cinemania97 won't run on Snow Leopard.)
TORONTO--The 11 films by 11 filmmakers in the film "11/09/01," all trying to address 9/11 in 11 minutes, are uneven and not entirely satisfying. One wonders if the producers, who are from France, should have recruited directors of shorts rather than features, but four of them have undeniable impact, and one is devastating.
W ith a new home (six screens all at one location) and a streamlined schedule, the 33rd annual Chicago International Film Festival has programmed no less than 53 screenings on this, its opening weekend. All showings will be at the new Cineplex Odeon theaters atop 600 N. Michigan, and one way to attend the festival might be to hang out in the lobby and listen to the buzz.