The Kid Who Would Be King
The Kid Who Would Be King is good where it counts most.
Ted Hope
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21 Grams (2003)
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Produced by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Ebertfest 2018: A Photo Journal
Five joy filled days of cinema and photos. Journal of Ebertfest 2018. Photo credits Timothy Hiatt
Ebertfest 2018, Day 3: Columbus, A Page of Madness, American Splendor
A recap of the third day of Ebertfest.
Dear Roger: I Can't Believe Our Film Festival is Twenty Years Old!
A Look back at the origins of Ebertfest twenty years ago and a look forward to Ebertfest 2018.
NYFF 2017: “Wonder Wheel”
A recap of the latest New York Film Festival and review of Woody Allen's newest film after its world premiere there.
New York Film Festival 2017 Preview
A preview of the 55th Annual New York Film Festival with commentary on the state of the fest and the Opening Night film by Richard Linklater, "Last Flag Flying."
Tweets From Ebertfest 2014
Some of the best tweets from Ebertfest 2014.
Live-Streamed Panels Announced For 16th Annual Ebertfest
The panel subjects and panelists for the 16th Annual Roger Ebert's Film Festival have been announced, including Patton Oswalt, Brie Larson, Steve James, and more.
Ebertfest Announces the Complete Lineup for 2014
Here is the full schedule for Ebertfest 2014.
Thumbnails 12/4/2013
New York Film Critics Circle deems "American Hustle" best picture; the Oscar documentary shortlist; the earning potential fo the regional film festival circuit; Ted Hope's 30 really bad things in the indie film biz; Buffalo's remaining movie theater may go dark.
Thumbnails 11/27/2013
Ted Hope gives thanks (about the indie film biz); how the "Catching Fire" movie outstrips the book; animals are still being harmed in many films; why "Boardwalk Empire" Season 4 is a masterpiece; men who explain rap to women.
Babs, Henry and Long Duk Dong:Cleaning up after the Oscars
I said just about everything I had to say about the Oscars in a dozen or so tweets I filed the evening of the broadcast, in between juggling manual updates for a couple of stories on RogerEbert.com (including Roger's live-tweets of the show) and approving Oscar comments on Roger's blog. I think I got out of my chair two or three times between 3:30pm and 9:30pm PST.
So, yeah, I made a few observations -- like this:
Instead of playing "I Am Woman" after Kathryn Bigelow's win, why didn't they play "Papa Can You Hear Me?" for Babs? #oscars
And this:
Elinor Burkett's Oscar performance marks the official arrival of the word "Kanye" (or "Kanyed") as a verb. http://j.mp/9XIwqy #oscars
And this:
Has "Based on the Novel Push by Sapphire" become the new "Electric Boogaloo"?
Tinseltown author gets 'Down and Dirty,' indeed
Q. In the most recent Answer Man, you discussed the fact that Jennifer Connelly is photographed at the end of a dock or pier in "Dark City," "Requiem for a Dream" and "House of Sand and Fog." In a deleted scene on the DVD of "A Beautiful Mind," there is a sequence where Russell Crowe dreams of Jennifer Connelly running toward a dock on a lake.
