It is in the unspoken where The Heiresses is its most powerful.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: Some of you may have noticed that I have a soft spot for surfing videos. It's not the sport itself - though I do admire it - so much as the camerawork it inspires, and because I have a translucency fetish; I take great pleasure in seeing light pass through something else. There's an ethereal and other-worldly quality to it which elevates my soul; sunlight pouring through a humble jar of orange marmalade enough to make me think I'm looking at God; smile.And so needless to say, when Club member Lynn McKenzie submitted a link to Paul McCartney's stunning new music video called "Blue Sway" - I was utterly captivated. (click image to enlarge.)
I've been following the comments about Paul Haggis' “Crash” with interest, far more than I did in seeing the film itself. When it came out, I don't think I knew it was by Haggis. Had I known, I probably would have tried harder to see it, because Haggis was the creator of one of the best TV series I have ever seen, a very short-lived show called “EZ Streets,” which had a large ensemble cast (much like “Crash”) dealing with crime, political corruption, drug abuse, revenge, and much more. I remember watching it at the time and comparing it with the work of one of my favourite directors and writers, John Sayles- specifically his film “City of Hope.”
Q. You didn't like "The Usual Suspects" because of the ending. I liked the ending, the dark atmosphere director Bryan Singer created, the acting (especially by Gabriel Byrne, Kevin Spacey and Chazz Palminteri), and the movie as a whole. The last time I had this much fun at the movies was at "Pulp Fiction." Maybe you should ask random people from the audience, because you could be the only one who didn't like the trick ending. (Mike D'Alessandro, Acton, Mass.)