There’s a pleasant, old-fashioned feel to Alpha.
It would be impressive even without the palpable sense of connection and understanding that Liu brings to the material, but its easygoing intimacy is what…
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about five male and five female writers who are gender balancing RogerEbert.com's regular rotation of film critics.
An article about Project Involve's inclusive storytelling in the Hollywood landscape as it celebrates its 25th anniversary with a fundraiser on Saturday, September 22nd.
An article about five male and five female writers who are gender balancing RogerEbert.com's regular rotation of film critics.
A celebration of Jane Campion's "In the Cut," as part of a video essay series about maligned masterpieces.
With "Mission: Impossible - Fallout," Christopher McQuarrie has now made the best and worst "M:I" movies to date.
A look at Escape to Victory in light of the World Cup and world events.
A tribute to Aretha Franklin.
A video interview with Spike Lee and John David Washington about their film, "BlacKkKlansman."
Come Back, Charleston Blue (1972)
—
Photographed by
Born to Win (1972)
—
Photographed by
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
