Zombieland: Double Tap
The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Writer/director Amy Heckerling takes a look back at her career.
Part two of our countdown of twelve great scenes set around Christmas: #8–#5.
CANNES, France--The best film at Cannes so far this year was made in 1979. That's the melancholy conclusion of Variety and the Hollywood Reporter, the daily trade journals printed at the festival and I didn't have to read the papers to figure that out.
CANNES, France-- Forty-one years after his "Breathless" swept in the French New Wave and helped herald the modern era of filmmaking, Jean-Luc Godard is back at the Cannes Film Festival with a new movie. The onetime enfant terrible is now 71, and the 1960s "film generation" that marched under his banner is old and gray, but his very presence inspires a certain trembling in the air as the 54th Cannes festival opens. The giants are back in town.
Q. I recently saw "The Client" on an United Airlines flight and noticed that the soundtrack had been dubbed to replace profanities with substitute words. I would assume that a bit of violence may also have been removed, for example during the suicide episode. My guess is that the resulting movie would be given a "PG" rating. There are many popular movies that I would love to rent for viewing with my family if only they were rated "G" or (maybe) "PG." Cleaning up the language, removing the sex, and toning down any graphic violence would make very little difference to the entertainment value for many people of the movies I'm talking about. Are "airline edits" available anywhere for rental? Have studios ever considered issuing "family" and "mature" versions of the same movie? (Jon Bale, San Jose, Calif.)