A Hidden Life
It’s one of the year’s best and most distinctive movies, though sure to be divisive, even alienating for some viewers, in the manner of nearly…
Louis Hayward
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Chuka (1967)
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Maj. Benson
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
#176 July 17, 2013
Marie writes: Last week, in response to a club member comment re: whatever happened to Ebert Club merchandize (turned out to be too costly to set up) I had promised to share a free toy instead - an amusement, really, offered to MailChimp clients; the mail service used to send out notices. Allow me to introduce you to their mascot...
#147 December 19, 2012
Marie writes: Christmas is almost upon us, and with its impending arrival comes the sound of children running free-range through the snow, while grown-ups do battle indoors in the seasonal quest to find the perfect gift...
Rene Clair's "And Then There Were None"
The Ebert Club is pleased to share the following film by the great French auteur Rene Clair and to invite you to join the Club and see what other mysteries lurk in the tree house!
And Then There Were None (1945) Directed by Rene Clair. Written by Dudley Nichols and based on the novel by Agatha Christie. Starring Barry Fitzgerald, Walter Huston, Louis Hayward, Roland Young, Mischa Auer, June Duprez and Judith Anderson. Winner! 1946 Locarno International Film Festival: Best Film.Synopsis: Ten strangers are summoned to a small island off the coast of Devon, by a mysterious note. Once there they discover that their unknown host, a certain "Mr. Owen", has not yet arrived. They're told he'll be there by dinner and so they retire to their rooms to prepare for the evening. Come dinner, their host has still not arrived and suddenly a voice on a gramophone record proceeds to accuse all of them of past murders they were never prosecuted for. The guests strongly deny any wrong doing and a decision is made to leave the island immediately! A servant however, tells them that there's no way to get the boat from the mainland. There's also no phone on the island and the boat only comes twice a week. It won't be back until Monday morning and it's only Friday night....
Go here to join the Club and see what else we have!
#92 December 7, 2011
Marie writes: Belgium club member Koen Van Loocke has submitted the following and it's so awesome, I have no words. But first, background..The Cinematic Orchestra is led by composer/programmer/multi-instrumentalist Jason Swinscoe, who formed his first group "Crabladder" in 1990 while a Fine Arts student at Cardiff College. The group's fusion of jazz and hardcore punk elements with experimental rhythms, inspired Swinscoe to further explore the musical possibilites and by the time the group disbanded in the mid-'90s, he was playing DJ at various clubs and pirate radio stations in and around London.
#89 November 16, 2011
Marie writes: I was browsing the 2010 National Geographic Photography Contest Galleries and came upon this amazing shot - click to enlarge!
The Birth Of Earth: Photo by Terje Sorgjerd"Getting close or getting too close? Photo taken of the Eyjafjallajokull volcano eruption that would grind most of europe air traffic. This is the scariest moment in my life, and also the most beautiful and frightening display of raw force I have ever seen." - Terje Sorgjerd
#40 December 8, 2010
From the Big Kahuna: Yes, this is the front of the Virginia Theater in Champaign-Urbana, where Ebertfest is held every year. The old marquee was showing its age, and will be replaced by the time Ebertfest 2011 is held on April 27-30. Update: I read in the Champaign-Urbana News-Gazette that the new marquee is still in design, but park officials expect it to be a better complement to the theater's Italian Renaissance-style architecture and resemble the 1921 original marquee. When concepts are finalized, they will go before the park board for approval.
Woody Allen and the Purple Rose of Cairo
NEW YORK -- On the Sunday after his new movie, “The Purple Rose of Cairo,” opened to the best reviews of his career, Woody Allen moved aside his computerized Chess Challenger and curled up in the corner of a couch. We were in the screening room of the Manhattan Film Center, which is reached through the lobby of the Beekman Place Hotel, and is perhaps the only editing facility in New York with room service.
