
I Feel Pretty
It’s an unbridled display of enthusiasm. We’re laughing with her, not at her. If only the rest of the film had such complete confidence.
It’s an unbridled display of enthusiasm. We’re laughing with her, not at her. If only the rest of the film had such complete confidence.
I Am Evidence will be undoubtedly eye-opening.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
A closer look at the 13 reviews by Roger Ebert chosen for the front page today to mark the anniversary of Roger's passing and the…
A collection of memories from fans of Roger Ebert.
Starring Dwayne Johnson and other giant creatures.
A closer look at the 13 reviews by Roger Ebert chosen for the front page today to mark the anniversary of Roger's passing and the…
Some directors are all about the visual symbolism, but Forman was more of a people-watcher.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
A recap of the opening night of Ebertfest.
A review of the second season of HBO's great Westworld.
For those of us who missed our calling as jet setters, socialites or fashion models along comes the edifying, spritely documentary "Versailles '73: American Runway Revolution" to show us how much work it is to be spontaneously fabulous.
Nearly 40 years ago, in late November of 1973, something rather momentous happened at the Opéra Royal on the grounds of the King's old digs outside Paris. In the course of a fashion show that Women's Wear Daily dubbed "The Battle of Versailles," boldly assertive American runway models -- many of whom were what we now call African-American -- wore sporty, comfortable American designer clothes with such, well, panache that the absolute supremacy of French haute couture was dented for good.