Brahms: The Boy II
It’s just a film that’s as blank as Brahms’ expression.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with Alex Thompson and Kelly O'Sullivan, director and writer/star, respectively, of the CCFF-opening Saint Frances.
Matt writes: I just returned from covering the 53rd Karlovy Vary International Film Festival in the Czech Republic, where I saw some excellent films, and got the chance to meet many extraordinary people. The full table of contents contains links to my conversations with Terry Gilliam, Richard Linklater, Barry Levinson, Caleb Landry Jones, Anna Paquin, Stephen Moyer, Denis O'Hare and "Leave No Trace" star Thomasin Harcourt McKenzie. You will also find reviews of such unmissable titles as "Cold War," "Putin's Witnesses," "Girl," "Winter Flies," "Crystal Swan," "Museum," "Moments" and more.
An obituary for film icon Jerry Weintraub.
This, for the benefit of future rock historians, is the transscript of a screenplay I wrote in the summer of 1977. It was tailored for the historic punk rock band the Sex Pistols, and was to be directed by Russ Meyer and produced by the impresario Malcolm McLaren. It still carried its original title, "Anarchy in the U.K.," although shortly after I phoned up with a suggested title change, which was accepted: "Who Killed Bambi?" I wrote about this adventure in my blog entry McLaren & Meyer & Rotten & Vicious & me. Discussions with Meyer, McLaren and Rene Daalder led to this draft. All I intend to do here is reprint it. Comments are open, but I can't discuss what I wrote, why I wrote it, or what I should or shouldn't have written. Frankly, I have no idea.
Q. We bought the Jerry Springer uncensored tapes, only to find that the four-letter words on them were still bleeped. What's going on here? (Charlie Smith, Chicago).