As long as the focus is on Mia and Elliot, the film is involving and moving.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
I was very surprised and slightly amazed that you pick “Crash” as the best film of the year, especially since I thought it awful. It was just a bad rehash of what Altman has done so brilliantly over the years and also what Paul Thomas Anderson has also been doing so much better than hack Haggis. It was really just a piece of middlebrow garbage. Also I watched your show last Saturday in which you and the other critic picked the 10 worst films and I thought the choices were all easy targets. I mean, come on -- of course these films were rotten. (I would never see any movie with Jessica Simpson in it anyway.) In fact I didn't see any of the films mentioned on either of your lists. As stated above, “Crash” would be on my list of 10 worst films. Also included would be “The Interpreter,” “Batman Begins,” “The Skeleton Key” and “Dark Water.” These are all big-budget Hollywood films and all were terrible. In any case I do enjoy watching you and have respect for your views.
Selections from the RogerEbert.com reader mail inbox regarding “Crash” and Roger Ebert’s defense of his top movie of 2005 against attacks from some critics:
Q. Did you really need to pick on Rob Schneider in your review of "Deuce Bigalow: European Gigolo"? RottenTomatoes.com shows that he scores a 10 out of 100 on the TomatoMeter, which is even lower than Steven Seagal. Why not just say that the movie sucked, as opposed to saying HIS movie sucked?