● Jackboots on Whitehall (DVD/VOD/Digital cable July 26) ● American Grindhouse (DVD/Hulu July 26)
by Steven Boone
The animated comedy "Jackboots on Whitehall" does its best to tweak every British stiff-upper-lip stereotype ever perpetuated in film and popular culture since World War II. This satire employs puppet animation techniques familiar from "Team America: World Police" and classic George Pal puppetoons, but with exquisite production design more akin to Wes Anderson's stop-motion "Fantastic Mr. Fox." Instead of marionettes or stop-motion, however, filmmakers Edward and Rory McHenry employ animatronic dolls enhanced with CGI.
The period detail in this account of Hitler's alt-reality occupation of London is stunning: a convincing re-creation of Whitehall, the road whose major landmarks comprise the seat of British government; the airship Hindenburg, which, in this reality, never blew up and now serves as a Nazi attack vehicle; Hadrian's Wall and the hills of Scotland; vintage fighter planes, palaces, tanks, luxury cars... Equally meticulous is the costuming, from Winston Churchill's pinstriped suit to the Raj soldiers' blue turbans.
While the McHenry brothers' puppets aren't articulated beyond some binary limb and neck movements, they are sculpted with such expressive character it's easy to suspend disbelief. Exuberant character voices help. Timothy Spall as a gruff Churchill, Alan Cumming as a fey Hitler and Tom Wilkinson as a simpering Goebbels play it lip-smackingly broad. Richard E. Grant portrays a tightly wound priest so perpetually furious that its possible he gave his entire performance through clenched teeth. Ewan McGregor lends the unlikely farm boy hero some warmth. Along the way, some downright filthy jokes fly by almost subliminally, under kids' radar (including a visual joke last seen in "Boogie Nights"). In fact, so much of the humor is adult, whether in raunchiness or complexity, that Jackboots on Whitehall is less a family film than one for liberal parents and their precocious teens. The DVD includes a fascinating behind-the-scenes documentary that details just how much love went into this handcrafted epic.
Marie writes: In a move which didn't fail to put a subversive smile on my face, works by the mysterious graffiti artist Banksy began to appear recently in Hollywood as Academy Awards voters prepared to judge Exit Through the Gift Shop, which is up for best Documentary. (Click to enlarge.)
The most controversial thus far was painted on a billboard directly opposite the Directors Guild of America HQ on Sunset Boulevard. A poster advertising The Light Group (a property, nightclub and restaurant developer) was stenciled over with images of a cocktail-guzzling Mickey Mouse grasping a woman's breast. As it was being removed, a scuffle broke out between workmen and a man claiming the poster was his "property" - presumably triggered by the fact that an authentic piece by Banksy is worth thousands. To read more visit Banksy targets LA ahead of Oscars at the Guardian. And to see more pictures go HERE.