The Girl from Monaco
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In French Movie Reviews
Blog Posts That Mention In French
A Preview of the 2025 Rendez-Vous with French Cinema
A Preview of the 2023 Rendez-Vous with French Cinema
A Preview of the 2020 Rendez-Vous With French Cinema
Chicago French Film Festival 2016 Preview
A lesson in life
Cannes 2025 Video #9: Wrap Up
Cannes 2025 Video #8: Award Winners
Cannes 2025: Jafar Panahi’s “It Was Just an Accident” Wins Palme d’Or
Cannes 2025: A Private Life, The Disappearance of Josef Mengele
Cannes 2025: A Useful Ghost, Arco
Cannes 2025: Dossier 137, A Pale View of Hills, The Great Arch
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
There’s No Catharsis: David Cronenberg on “The Shrouds”
Female Filmmakers in Focus: The Films of Euzhan Palcy
New York International Children’s Film Festival Highlights Original Work From Around the World
CIFF 2024: Rita, Listen to the Voices, Peacock
Telling Their Story: Rich Peppiatt on Kneecap
Fantasia 2024: Bookworm, Shelby Oaks, The Count of Monte Cristo
10 Films to Thrill You at the 2024 Fantasia International Film Festival
Cannes 2024: The Second Act, Abel Gance’s Napoleon
Berlin Film Festival 2024: Dahomey, My Favorite Cake, A Traveler’s Needs
Jean-Pierre Jeunet Isn’t Anything Like Amélie, but He’s Trying
CIFF 2023: Robot Dreams, The Crime is Mine, Limbo
Must-See Jean Eustache Film Series Led by 4K Restoration of The Mother and the Whore
Cannes 2023: The Nature of Love, Occupied City, Anselm, Caligula
Cannes 2023 Line-up Includes Wes Anderson, Martin Scorsese, and Many More
Empathy Machine: Diary of a Country Priest
TIFF 2022: Emily, Causeway, The Eternal Daughter
Venice Film Festival 2022: A Couple, Bones and All, Master Gardener
Female Filmmakers in Focus: Sara Dosa on Fire of Love
Cannes 2022: Showing Up, Broker, Close
Cannes 2022: Holy Spider, Forever Young, Aftersun
Cannes 2022: Final Cut
Of the Same Matter: Gaspar Noé on Vortex and Lux Aeterna
A Nice Surprise: Céline Sciamma on Petite Maman
Book Excerpt: When Women Invented Television by Jennifer Keishin Armstrong
Bright Wall/Dark Room January 2022: Place Cliché by Nathaniel Missildine
An Eternal Influence: Anne Rice: 1941-2021
Critics Choice Awards Celebration of Black Cinema & Television to Honor Will Smith, Ruth Negga and More on December 6th
Ahead of His Time: Melvin Van Peebles (1932-2021)
TIFF 2021: Astel, The Gravedigger’s Wife, Saloum
You Need to Feed The Eyes For Your Dreams: The Cinema of Leos Carax
Art Alone Endures: A Parisian’s Take on the 2021 Cannes Film Festival
Cannes 2021: A Hero, Deception, Petrov’s Flu
The Show Must Go On: The Cannes 2021 Film Festival
Bertrand Tavernier: 1941-2021
Cicely Tyson: 1924-2021
Never Make Rules: Director Rachel Talalay on A Babysitter’s Guide to Monster Hunting
The Heart Beats Differently When You’re in Character: Connie Nielsen on Inheritance
Cannes Flashback: The Beguiled, Good Time, In the Fade and More
It is All An Illusion: Malgorzata Szumowska on The Other Lamb
A Language Possessed and Reconquered: Mati Diop on Atlantics
Venice Film Festival Preview 2019
Cannes 2019: Sylvester Stallone, Cannes Darling
Cannes 2019: The Dead Don’t Die
Olivier Assayas on Non-Fiction, Working with Juliette Binoche, Streaming vs. Theatrical and More
Chinese New Year: Some Pig(s)
Bright Wall/Dark Room January 2019: The Year of the Death Wish by Fran Hoepfner
Claire Denis to be Honored at TIFF Ebert Tribute
Cannes 2018 Video #3: Women’s Protest, Cold War, Ash is Purest White and More
30 Minutes on: “As Good As it Gets”
The Big Knockover: “Noir City: Chicago” Brings Heist Films to the Music Box Theater
You Know the Type: On Daniel Dae Kim, Grace Park and “Hawaii 5-0”
Cannes 2017 Video #5: “The Beguiled,” “Good Time,” “In the Fade” and More
Binge-watching All Eight “Star Wars” Films For the 40th Anniversary
Cannes 2017: “Western” and “Bright Sunshine In”
Hot Docs 2017 Interview: Gilbert Gottfried on “Gilbert”
Two American Pioneers of Peaceful Protest Celebrated with PBS Documentaries
Andrzej Wajda: 1926-2016
Venice Film Festival 2016: “Nocturnal Animals,” “The Beautiful Days of Aranjuez”
Marx Brothers Holy Grail “I’ll Say She Is” Shines Again
Three Decades in the Making, “Octave” Explores the Personal and Universal
Cannes 2016: “Elle”
Ebertfest 2016: An Interview with Legendary Script Supervisor Angela Allen
The Society of the Real: How An Intrepid Group of Newsreel Cameramen Changed Documentary Film
“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
Video Interview: Arnaud Desplechin on “My Golden Days”
#OregonUnderAttack, “Unbranded” and the Wild West
