A leisurely film about the end of the world, with flesh-eating and lots of jokes and a few moments of eerie beauty.
Without its stars’ chemistry, there’s little life left on this sequel planet besides surface-level jokes, too-cute aliens and a convoluted story.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Chaz Ebert shares her thoughts on Ron Howard's new documentary, "Pavarotti," and presents an appreciation of the Lyric Opera.
An article about the reissue of "Two Weeks in the Midday Sun."
Is it paint-by-numbers if a virtuoso holds the brush?
Chaz Ebert shares her thoughts on Ron Howard's new documentary, "Pavarotti," and presents an appreciation of the Lyric Opera.
A piece on the premiere of a film about Rodrigo Duterte.
One of our foreign correspondents looks at Cold War.
Reviews from Cinepocalypse of two world premieres, including the latest by horror director Lucky McKee.
An interview with Guy Vandenberg and Steve Williams, subjects of Paul Haggis and Dan Krauss' documentary, 5B.
Goldfinger (1964)
—
Oddjob
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
