Creed II
Creed II falls victim to the sins of sequelitis—it’s bigger, louder and more grandiose than its predecessor—yet manages to right itself by not losing focus…
Graham Stark
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Salt and Pepper (1968)
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Sgt. Walters
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Poetry in motion -- and it rhymes, too
View image The animated banners, archived, are worth the price of admission alone...
Jonathan Lapper offers an inspired free-associative montage/meditation on the moving part of the movies at Cinema Styles, which you must see. It's called "Frames of Reference," a little under seven minutes long, and it marvelously (too marvelous for words, obviously) orchestrates cinematic motion and memories to Oliver Nelson's "Complex City." (If you suspect you're unfamiliar with the great jazz arranger, think "Stolen Moments" -- which might make a great subtitle for this reference-packed short subject.) My favorite transition: From "Hiroshima, Mon Amour" to "Citizen Kane." You'll see why.
And now, for fans of Richard Lester, Peter Sellers and Spike Milligan (and Leo McKern and Graham Stark and Norman Rossington...), my own movie reference: "Frames of Reference" is "The Tracking, Exploding, Kissing, Watching, Crashing, Throwing, Fainting, Dancing, Drinking, Flying, Falling Backwards Film," though not necessarily in that order. And that's not the half of it....
