Buried somewhere in this smart but somewhat disorganized and repetitious movie about The Satanic Temple is a trickier, potentially deeper and more all-encompassing work.
A fluffy romp with a sobering truth: relationships and your twenties may end, but neither signals the end of the world
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Emerging female filmmakers present their short films directed in the (Chicago Housing Authority) CHA/DePaul University spring Documentary Film Premiere scheduled for Sunday, April 28th. They…
An article celebrating the historic Chicago mayoral runoff between two African-American women, Toni Preckwinkle and Lori Lightfoot.
Potentially another "Dog Day Afternoon." Too bad about the execution.
A video essay that celebrates Lilly and Lana Wachowki's 2015 film, Jupiter Ascending.
A Far Flung Correspondent looks at Cristian Mungiu's award-winning film.
American Splendor is an under-appreciated gem which deserves more attention.
A photo journal for Ebertfest 2019.
A table of contents for all of our Ebertfest 2019 coverage.
If You Could See What I Hear (1982)
—
Perky Sullivan
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
