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Outbreak

The thriller occupies the same territory as countless science fiction movies about deadly invasions and high-tech conspiracies, but has been made with intelligence and an…

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Planes, Trains and Automobiles

It is perfectly cast and soundly constructed, and all else flows naturally. Steve Martin and John Candy don't play characters; they embody themselves.

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How Not to Write About Film

The Real World: Atlanta.

The New York Times Book Review wastes nearly four pages on the dumbest, most banal crap about (ostensibly) movies and movie criticism that I have ever come across. It's called "How to Write About Film" and it's an attempted review by Clive James of the Philip Lopate compilation of film criticism that was published a few months ago, called "American Movie Critics: An Anthology From the Silents Until Now."

What's really puzzling about this drivel is that James not only doesn't know what the auteur theory is, he doesn't know what movie criticism is -- and he hasn't a clue what movies are, either. I find it difficult to believe he's ever seen one. Or, at least, a whole one. And no matter what projected images may have passed before his eyes, it's mighty obvious he hasn't seen anything at all.

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