A stellar high school comedy with an A+ cast, a brilliant script loaded with witty dialogue, eye-catching cinematography, swift editing, and a danceable soundtrack.
It’s a dancing elephant of a movie. It has a few decent moves, but you’d never call it light on its feet.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about the reissue of "Two Weeks in the Midday Sun."
An article about Champ Clark's one-act play,"Wild Son: The Testimony of Christian Brando," currently running at Santa Monica Playhouse through May 26th, performed by John…
An article about the reissue of "Two Weeks in the Midday Sun."
Return now to those thrilling days of yesteryear.
One of our foreign correspondents looks at Cold War.
A Far Flung Correspondent takes a look at the Paul Newman classic The Hustler.
Abel Ferrara was back in Cannes with his fifth feature with Willem Dafoe.
A review of Netflix's new anthology series What/If, which premieres with ten episodes on Friday.
Five joy filled days of cinema and photos. Journal of Ebertfest 2018. Photo credits Timothy Hiatt
