Chris Eyre

Reviews

Skins (2002)
Smoke Signals (1998)

Blog Posts

Festivals & Awards

No place for political correctness in film

PARK CITY, Utah--The man in the audience was angry. "How could you," he asked the director, his voice trembling with sincerity, "despite your talented cast and great production values, make such a bleak, negative, amoral film? What kind of a portrait is this of Asian Americans? Don't you have a responsibility to paint a more positive and helpful portrait of your community?"