A cliched but sensitively observed crime drama about a gangster's thug and a call girl who go on the run.
Do you know the biggest sin of the new Halloween? It’s just not scary. And that’s one thing you could never say about the original.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
A wish list in honor of my birthday. #birthdaywishlist
An article about the 41st Mill Valley Film Festival honoring USC Annenberg associate professor Stacy L. Smith and devoting 45% of its lineup to films…
The glorious, frizzy-haired, big-bearded '70s welcome Striesand and Kristofferson into the pantheon.
From a bestselling work of young adult fiction comes a political melodrama made with a theatrical audience in mind.
Jana Monji reports on the different speakers and conversations at last Thursday's Women in Entertainment summit.
Far Flung Correspondent Seongyong Cho revisits John Carpenter's classic Halloween.
An article about the 4K restoration of Horace Jenkins' "Cane River" premiering October 22nd at the New Orleans Film Festival and October 25th at the…
A review of two films that played at CIFF on William Friedkin and Buster Keaton.
The Woman Who Left (2017)
—
Horacia Somorostro / Renata
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
