Sundance 2025: Lurker; Free Leonard Peltier; Oh, Hi
On three Sundance premieres, including a fest stand-out.
On three Sundance premieres, including a fest stand-out.
One of our TV critics looks at the entire episodic program from Sundance 2025.
Three documentaries premiering at the year’s film festival marry the personal with the political.
A consistently easy watch, only feeling hollow in retrospect. It moves quickly enough that you don’t really notice it’s not nutritionally satisfying. Sometimes that doesn’t matter.
On three U.S. Dramatic Competition films from this year’s program.
On three of the best films of Sundance 2025.
Three films in the World Cinema Documentary Competition tell stories from countries in the midst of conflict.
This year’s World Cinema Dramatic Competition features three films all about characters on spiritual, physical, and sexual journeys toward new versions of themselves.
On two U.S. Competition films from Sundance, including one that feels like home.
On three big premieres from Sundance, all about brutal, near-hallucinatory states. It’s tough out there.
On three excellent documentaries that premiered today at the Sundance Film Festival.
Two narrative competition films from Sundance 2025 of very different qualities.
On three films from Sundance, including new works starring Stephan James, Dylan O’Brien, and John Lithgow.
On two of the crazier opening night premieres of this year’s Sundance.
There is no point to CBS’s utterly stale procedural “Watson.”
In the wake of the California wildfires, it’s time for Hollywood to turn its biggest night into a chance to do good.
Marianne Jean-Baptiste, Margaret Qualley, Danielle Deadwyler, and more make our list of the most egregious Oscar snubs this Oscar morning.
It feels like the action is more severe, and the stakes in “The Night Agent” have also been raised.
Our predictions for the major categories at this year’s Academy Awards.
Ultimately, this new attempt at a conspiracy thriller is myopically preoccupied with appearing smarter than it is.