How “The Seed of the Sacred Fig” Subverts the “Save the Girl” Trope
Mohammad Rasoulof’s searing Iranian drama gives women the chance to save themselves.
Mohammad Rasoulof’s searing Iranian drama gives women the chance to save themselves.
Hulu’s dystopian series continues to demonstrate the ways patriarchy chips away at the women subjugated by it.
An interview of the Disney+ original movie about disability, representation, and the obstacles female filmmakers face.
Whether Mr. Smith or Elle Woods, cinema is replete with hopeful protagonists fighting for lost causes.
The daughter of Paddington’s creator shares stories of the bear’s creation and her time on the set of his latest adventure.
On three great uses of romantic music in film
and television.
An interview with the writer-director and star of A24’s transcendent Zambian dramedy.
On the feminist thrust of two acclaimed Sundance docs from this year.
A look back at Peter Weir’s mysterious masterpiece.
An interview with the star of Queen of the Ring.
“The Righteous Gemstones” is funny, wry, clever, disgusting, moving, shocking, and endearing in ways that are purely aspirational for most comedies on TV, and I’m sorry to say goodbye to it.
Some great reviews and articles by our female critics.
An interview with the star of the great “My Dead Friend Zoe.”
A look at great South African films, all available on Netflix.
The ambitious nine-part series lands plenty of punches if you go in knowing that it positions comic-book fare not as escapist entertainment but as bloody, political commentary.
A RogerEbert.com contributor reports from this year’s Oscars.
The screenwriter and stars, Amy Irving and Peter Riegert reflect on the wistful romance of the 1988 classic.
An interview with writer and contributor Marya E. Gates, and an excerpt from her book.
A personal essay on the future of movie-going and what it means to make core memories in darkened theaters.
An introduction to an annual event highlighting female film critics and journalists.