How Night of the Living Dead Destroyed Hammer Films
The irony of being destroyed by the thing you helped create would not have been lost on a studio responsible for some of the finest film versions of Frankenstein.
The irony of being destroyed by the thing you helped create would not have been lost on a studio responsible for some of the finest film versions of Frankenstein.
Is it possible to trace the overarching moments of a woman’s life using only clips of films directed by women?
A look at the literary legacy of Phantom Thread.
A look at the disparity between male and female directors and the people fighting to correct it.
A look at the difficulties that disabled people face in movie theaters in 2018.
A report from the WonderCon panel on Netflix’s new “Lost in Space.”
A collection of all of our essays, reviews and more from Women Writers Week 2018.
There’s no reason to assume, or even worry, that Fields, Weisberg, and their invaluable lead actors will stumble as they approach the finish line of “The Americans.”
How to shoot a better sex scene.
A report from the PaleyFest LA 2018 panel on ABC’s hit “The Good Doctor.”
A piece on the representation of the C-section in American movies.
A look back at the 1988 Best Picture-nominated comedy, “Working Girl.”
A review of the 2018 iteration of ABC’s “Roseanne.”
A piece on the success of The Greatest Showman and the condescending critical response to it.
A hilarious film about a subject that’s not funny at all.
Women Writers Week is about lifting up those voices that seek to nurture and educate and unite us.
A review of AMC’s The Terror, based on the book by Dan Simmons.
A review of season three of Showtime’s great Billions.
The latest on Blu-ray and DVD, including Lady Bird, The Disaster Artist, The Shape of Water, Justice League, I Tonya, and Thor: Ragnarok.