Bright Wall/Dark Room September 2018: For Love or Money by Kellie Herson
An essay about “Goodfellas,” as excerpted from the latest issue of the online magazine, Bright Wall/Dark Room.
Archives
TIFF 2018: The Death and Life of John F. Donovan, Vox Lux
On new films by Xavier Dolan and Brady Corbet, both starring Natalie Portman.
TIFF 2018: Greta, The Hummingbird Project, The Dig
On three films from TIFF, including a new one from Neil Jordan.
A Distinctive Clash: Editors Leslie Simmer, David E. Simpson and Alanna Schmelter on America to Me
An interview with Leslie Simmer, David E. Simpson and Alanna Schmelter, co-editors of “America to Me.”
TIFF 2018: Donnybrook, 22 July
Reviews from the Toronto International Film Festival on the latest by Tim Sutton and Paul Greengrass.
Panos Cosmatos on Crafting His Heavy Metal Valentine, Mandy
The director of “Mandy” talks about making his gorgeous revenge epic and working with Nicolas Cage.
TIFF 2018: Destroyer, Boy Erased
A review of two VERY different films starring the wonderful Nicole Kidman, Boy Erased and Destroyer.
TIFF 2018: Loro, The Front Runner
A review of new films from Paolo Sorrentino and Jason Reitman.
TIFF 2018: Table of Contents
An updating table of contents featuring all of our coverage of the 2018 Toronto International Film Festival.
TIFF 2018: Outlaw King, Transit
On two films from TIFF, including the Opening Night offering starring Chris Pine.
TIFF 2018: Gloria Bell
A review of Sebastian Lelio’s Gloria Bell, starring the amazing Julianne Moore.
The Natural-Born Movie Star: Burt Reynolds, 1936-2018
Burt Reynolds’ mix of deep talent and light-footed charisma was unique.
Venice Film Festival 2018: Biennale College Films and Restored Classics
Glenn Kenny talks about his time participating in the Biennale College at the Venice Film Festival, and reflects on catching restorations of The Ascent, Some Like It Hot and Nothing Sacred.
HBO’s The Deuce Feels Newly Relevant in Second Season
A review of season two of The Deuce, which debuts on HBO on Sunday night.
TIFF 2018: Burning, Shoplifters, 3 Faces
A review of three of this year’s biggest Cannes hit from international master filmmakers.
Showtime’s Kidding Takes Us to Jim Carrey’s Melancholy Neighborhood
A review of the new Showtime series Kidding, starring Jim Carrey.
Venice Film Festival 2018: The Nightingale, Nuestro Tiempo
Reviews from the Venice Film Festival of the latest by Jennifer Kent and Carlos Reygadas.
TIFF 2018: The Biggest Little Farm, Screwball
On two quirky documentaries from TIFF 2018.
“You Were Expecting Someone Else?” Why a Non-White James Bond is the Franchise’s Logical Next Step
Not only would Idris Elba make a great James Bond, the franchise has been building towards casting an actor of color anyway.
Peeling Back the True Horror of The Little Stranger
Something more cerebral and starkly feminist is at play within this unconventional horror story.
