Netflix’s Excellent Wanderlust is a Deep Dive into Love and Marriage
A review of the new BBC One and Netflix series Wanderlust, starring Toni Collette and Steven Mackintosh.
A review of the new BBC One and Netflix series Wanderlust, starring Toni Collette and Steven Mackintosh.
A Christmas Day look-back through a photo journal chronicling the inaugural Ebert Center Symposium: “Empathy for the Universe” held on October 1st, 2018, in the National Center for Supercomputing Applications (NCSA) at the University of Illinois in Urbana-Champaign, Illinois.
An interview with special effects maestro Tom Savini, encompassing his filmmaking career.
Reviews from the New York Film Festival of the latest by Alfonso Cuaron, Alex Ross Perry, the Coen brothers and Julian Schnabel.
An interview with the young stars of Mid90s, Jonah Hill’s debut as writer/director.
A report from the 2018 New York Film Festival on Mariano Llinás’ 808-minute film, La Flor.
An interview with writer/director Gareth Evans about his gory pagan horror film, Apostle.
Jana Monji reports on the different speakers and conversations at last Thursday’s Women in Entertainment summit.
An interview with the Oscar-nominated actor about producing and co-starring in Jacques Audiard’s unusual Western, The Sisters Brothers.
Peter Bogdanovich, film historian and filmmaker, talks about Buster Keaton, the subject of his new documentary.
A report from the New York Film Festival on two new films and a classic.
A review of two films making their Chicago debuts at CIFF this year from Christian Petzold and Olivier Assayas.
A review of HBO’s new series from Lena Dunham and Jenni Konner, Camping.
Links to our reviews of films playing the Chicago International Film Festival.
An interview with Felix Van Groeningen, director/co-writer of “Beautiful Boy.”
A review of Mike Flanagan’s new horror series based on the Shirley Jackson novel, The Haunting of Hill House.
An in-depth look at what’s playing this month at the Chicago International Film Festival.
An essay by Kate Horowitz about Crimson Peak, excerpted from online magazine Bright Wall/Dark Room’s October issue.