30 Minutes on: “Mid90s”
Warm but not sentimental, Jonah Hill’s directorial debut is a hard-edged drama, made in the style of films from the era it depicts.
Warm but not sentimental, Jonah Hill’s directorial debut is a hard-edged drama, made in the style of films from the era it depicts.
A report from last week’s 21st Indie Memphis Film Festival, which included new and old favorites.
A review of AMC’s The Little Drummer Girl.
An AFI FEST review of Mary Queen of Scots, starring Saoirse Ronan and Margot Robbie.
A report from a special panel at AFI FEST that featured three female directors.
An interview with co-writer/director Sean Anders about his personal new comedy, Instant Family.
A review from AFI FEST of the new Netflix film Bird Box, starring Sandra Bullock and directed by Susanne Bier.
A review of Showtime’s new limited series starring Patricia Arquette, Benicio Del Toro, and Paul Dano.
An essay about Ingmar Bergman’s Hour of the Wolf, as excerpted from the latest edition of the online magazine Bright Wall/Dark Room.
A tribute to the legendary writer, editor, and publisher of Marvel Comics, Stan Lee.
A sneak peek from AFI FEST 2018 of Chuck Lorre’s new Netflix series about Hollywood has-beens and wannabes, starring Alan Arkin and Michael Douglas.
An interview with Gillian Flynn about co-writing the Steve McQueen heist film, Widows.
The first episode of TNT’s “I Am the Night” made its world premiere at AFI FEST on Friday afternoon at the Egyptian Theatre in Hollywood.
A review of Mimi Leder’s On the Basis of Sex, after its world premiere at the AFI Fest in Los Angeles.
Chaz Ebert reveals her list of movies from 2018 to see before awards season 2019.
A short film by RogerEbert.com contributor Sam Fragoso.
New films on Blu-ray and streaming, including BlacKkKlansman, Teen Titans Go! To the Movies, and The Incredibles 2.