30 Minutes On: “If Beale Street Could Talk”
You can tell by how Barry Jenkins photographs faces that he loves people.
You can tell by how Barry Jenkins photographs faces that he loves people.
Ebert Fellow Whitney Spencer reviews Chinonye Chukwu’s Clemency, which premiered at the Sundance Film Festival.
On docu-series launched at Sundance on Wu-Tang Clan and Lorena Bobbitt.
Ebert Fellow Tiffany Walden offers her first impressions of Sundance 2019.
A review of Joanna Hogg’s new drama, one of the best films of Sundance 2019.
Reviews of two incredible new films that are part of Sundance’s U.S. Dramatic competition.
An Ebert Fellow on her first few days at Sundance.
Scout Tafoya celebrates “Sweet Movie” in his latest video essay about maligned masterpieces.
First impressions of Sundance from an Ebert Fellow.
A review of three documentaries that had their world premieres at the Sundance Film Festival.
On three more competition films from Sundance 2019, including one of the festival’s best.
A tribute to the late, great Dick Miller from his biggest fan.
A review of two more Midnight movies from Sundance, one great and one not.
A review of three docs that played the Sundance Film Festival.
A review of two political films from this year’s Sundance. One is great, one is not.
An interview with director Penelope Spheeris on her films “Suburbia” and “The Little Rascals,” each receiving new Blu-ray releases.
A review of three horror films from the Sundance 2019 Film Festival.
A 2019 Ebert Fellow on the opening night film, Native Son.
On three bio-docs from Sundance about David Crosby, Leonard Cohen, and Anton Yelchin.
A review of TNT’s “I Am the Night.”