The Fairy Tale of Homeownership in The Last Black Man in San Francisco
The Last Black Man in San Francisco follows Jimmie and Montgomery’s struggle to retake the former’s family home, and overcome the origins of gentrification.
The Last Black Man in San Francisco follows Jimmie and Montgomery’s struggle to retake the former’s family home, and overcome the origins of gentrification.
A look ahead at the 26th annual Chicago Underground Film Festival, which runs from June 5 to June 9.
A review of the fifth series of Black Mirror.
A special edition of Thumbnails spotlighting our coverage of the 2019 Cannes Film Festival.
A review of the new post-apocalyptic game, Rage 2.
A critics roundtable from the 2019 Cannes Film Festival.
An interview with the director of Guns Found Here, and a presentation of the short film.
The latest video essay in Scout Tafoya’s series about maligned masterpieces celebrates Karyn Kusama’s 2018 film, Destroyer.
I don’t think Godzilla: King of the Monsters will give us singing twin fairies, but I hope it remembers that there is power in protection, not just destruction.
A review of Perpetual Grace, LTD, starring Ben Kingsley, Jacki Weaver, and Jimmi Simpson.
A review of the new Amazon series, Good Omens.
The latest on Blu-ray and DVD, including Apollo 11, Cold Pursuit, Fighting with My Family, and Let the Sunshine In.
A review of DC Universe’s Swamp Thing.
There’s something glorious about being freed from the confines of a pretty rote thriller and simply waiting for De Palma to uncork some rococo bit of violent suspense.
Alien is both ahead of its time and squarely of its time.
Reviews from the Cannes Film Festival of the latest by Abdellatif Kechiche, Justine Triet, and Elia Suleiman.
Bong Joon-ho’s class satire is the first South Korean film to win the Palme d’Or.
Ben Kenigsberg predicts “Portrait of a Lady on Fire” will win the Palme d’Or.