Revisiting Andrew Niccol’s Gattaca in the Age of CRISPR
After 22 years, Gattaca is still a plausible, thoughtful tale of discrimination, disability, and worth set in a world where at one point genetic editing must have had good intentions.
After 22 years, Gattaca is still a plausible, thoughtful tale of discrimination, disability, and worth set in a world where at one point genetic editing must have had good intentions.
A dispatch from the New York Film Festival on the latest from Diao Yinan, Pedro Costa, Albert Serra and more.
An interview with the director and subject of Love Bite, and a presentation of the short documentary.
A video essay by Scout Tafoya celebrating Jim Mickle’s maligned 2013 masterpiece, We Are What We Are.
An essay about questions raised by Julius Onah’s Luce.
A recap of Austin’s glorious genre event Fantastic Fest.
An interview with Stanley Nelson, director of “Miles Davis: Birth of the Cool,” premiering at Chicago’s Gene Siskel Film Center on Friday, October 4th with the filmmaker in attendance.
An interview with the legendary Takashi Miike about his 103rd film, First Love.
A review of Epix’s Godfather of Harlem.
A review of the new CBS sitcom The Unicorn.
A review of Netflix’s The Politician.
An article about the Chicago Stories Gala presented by Victory Gardens Theater on October 5th, 2019, showcasing debuting playwrights Chaz Ebert and Stacy Janiak, honoring Justina Machado and Phillipa Soo and featuring presenter Steve James, among others.
A review of NBC’s Sunnyside and Perfect Harmony.
A review of EVIL, a daring new drama from CBS.
A video game review of the hit Borderlands 3.
A review of the series reboot of the George A. Romero classic Creepshow.
A preview of Friday’s Ebert Symposium panel on Diversity in Advertising & Communication.
A preview of Friday’s Ebert Symposium panels on Diversity in Journalism and National Hispanic Heritage Month.