Finding Your Happy Place During the Pandemic: Part II
The second installment of Chaz Ebert’s Happy Place column.
Archives
HBO’s Lovecraft Country is Wicked Smart Television
A review of the new HBO series, premiering Sunday, August 16. It’s wicked good.
Ebertfest Film Festival Announces Newly Revised Dates: September 8-11, 2021
Chaz Ebert announces the new dates for Ebertfest 2021, which will be held September 8th through the 11th, 2021
Take the Strangeness Away: On Signs and War of the Worlds
On how Signs and War of the Worlds play in 2020.
Why Aliens is Even Better Than Alien
A look back at James Cameron’s 1986 masterpiece, Aliens.
Let It Run Its Course: Amy Seimetz on She Dies Tomorrow
An interview with Amy Seimetz, director of She Dies Tomorrow.
Catching Up with Quibi
Reviews of six recent Quibi shows and a look at the platform overall.
Finding My #HappyPlace #UntamedJoy
The first installment of our #HappyPlace column at RogerEbert.com about finding your Untamed Joy.
Two Cultures Constantly at Odds: Gabe Polsky on Red Penguins
Chaz Ebert interviews filmmaker Gabe Polsky about his new documentary, “Red Penguins.”
Home Entertainment Guide: August 6, 2020
The latest on Netflix and Blu-ray includes The Other Lamb, Thirteen Ghosts, and a Criterion edition of The Lost Honor of Katharina Blum.
Crying for Justice: Jayro Bustamante on La Llorona
An interview with the co-writer and director of Shudder original La Llorona.
Star Trek Universe Expands with the Slight Lower Decks
A review of the latest CBS All Access offering from the Star Trek universe, Lower Decks.
NBC Peacock’s Hitmen is a Dark Comedy for Light Viewing
A review of the British series Hitmen, which arrives to NBC Peacock on August 6.
Short Films in Focus: Summer Hit
An interview with the director of Summer Hit, and a presentation of the short film.
Celebrating Living Legend Norman Lear on His 98th Birthday
An article celebrating the 98th birthday of television icon Norman Lear.
The Unloved, Part 80: The Eternal
The latest in our series on overlooked films centers on an early work by Michael Almereyda.
