At This Year’s Oscars, The Show Must Go On
A workmanlike telecast was a fitting tribute to a troubled, resilient industry whose greatest hope is its visionary auteurs.
A workmanlike telecast was a fitting tribute to a troubled, resilient industry whose greatest hope is its visionary auteurs.
On two ambitious films from the opening days of SXSW about how we shape the world around us.
Keep Austin Weird with these three unusual SXSW movies.
On three powerful issues docs from SXSW.
On three premieres from SXSW, including the latest from Joe Swanberg.
On three quirky documentaries from this year’s SXSW.
It’s rock-solid, gripping television with multi-generational appeal.
The director and star of A24’s atmospheric horror film talk fear, faith, and turning the filmmaker’s family home into a haunted house.
A preview of the SXSW Film Festival, which starts today!
Our picks for what will win, should win, and should have nominated for this year’s Academy Awards.
I’d be willing to make the time investment, but the payoffs should start coming early and often.
On three films that stirred us at Columbia, Missouri’s annual film festival.
Plays it too safe, sheltering its protagonist and stifling any sense of intrigue she could offer.
It’s goofy, knowingly strange, and wears its heart on its sentimental sleeve, and that’s enough to put some wind in its sails.
An interview with the director of the evocative short film about a woman struggling against America’s healthcare system.
Ryan Coogler should win the Oscar on Sunday. Here’s why.
The Black women-led organization announces their lineup and programming for this year’s summit.
A quick review of a wonderful coffee table book about Martin Scorsese’s work.
A personal tribute to a great actor, a great friend, and a gentle giant of a man.
Remember when Anna Faris was fearless?