This Year’s Ebert Fellows Reflect on the 2026 True/False Film Festival
This year’s Ebert Fellows attended the True/False Film Festival, one of the most essential non-fiction cinema events of the year. Here are their reports.
This year’s Ebert Fellows attended the True/False Film Festival, one of the most essential non-fiction cinema events of the year. Here are their reports.
The kids are not really alright in three dramas from Cannes, two of which are worth seeking out.
In this video dispatch, Scott Dummler interviews correspondent Zachary Lee about some of his highlights from the fest, from “Karma” to a restoration screening of Ken Russell’s “The Devils.”
On two very different Cannes offerings, including one by Steven Soderbergh.
On two very different Competition titles from this year’s Cannes: New works from James Gray and Hirokazu Kore-eda.
On three films from this year’s Competition slate about bad parents.
On three films from this year’s Director’s Fortnight, including two of the fest’s best so far.
Two more from Cannes, including the latest from the director of “Drive My Car.”
On three restorations from this year’s Cannes, including the long-awaited uncut version of The Devils.
A remembrance of Michael Jackson’s impact on a fateful day for Chaz.
Robert Daniels breaks down his early faves from the fest, and we look back at a 2019 Cannes conversation between Chaz and Werner Herzog.
On two big early Cannes premieres: the latest from the directors of “Ida” and “A Separation.”
On two films, including the opener of this year’s competition for the Palme d’Or.
Hauser and Reilly shine in career-defining roles.
To enjoy “Nemesis” requires a hefty tolerance for cheese.
A video dispatch from Day One of the Cannes Film Festival.
Swoon-worthy, hot, and heated rom-com-drama that gives its story space to fully bloom just like its characters.
Observations from the stars and filmmakers of this year’s critics-led film festival.
Notes on the opening ceremony of Cannes 2026 and the official opening film.