This is rare, nuanced storytelling, anchored by one of Brad Pitt’s career-best performances and remarkable technical elements on every level. It’s a special film.
I've seen a lot of editing feats like this, but there seems to be an uncanny match here between the music and the action. It consumes me with the desire to see a Rita Hayworth musical right away.
Thanks for the link to MIchael Jones.
A review of Netflix's The I-Land, the worst show in the streaming service's history.
This message came to me from a reader named Peter Svensland. He and a fr...
The latest series from revered documentarian Ken Burns premieres on Sunday, September 15 on PBS.
A review of the new film by Roman Polanski, which premiered at the Venice Film Festival.