Glass is a misfire, and it’s the kind of depressing misfire that hurts even more given what it could have been.
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A group of my losing entries, plus my one Winner, and the entry the cartoon editor said online that he liked but it didn't quite clear the bar on New Yorker's taste standards.
Scout Tafoya's video essay series on maligned masterpieces continues with a celebration of Shane Black's The Predator.
A look back through Christian Bale's filmography, highlighting five roles that define his career.
This message came to me from a reader named Peter Svensland. He and a fr...