El Camino: A Breaking Bad Movie
A project that feels true to its source, a well-crafted epilogue for a beloved character who vividly understands the concept of consequences.
Q. After watching the Criterion edition of Bergman's "The Silence" (1963), I read your Great Movie review and was puzzled by one sentence: "The doorway between their rooms is the portal through which they stage their rivalry, and only Johan passes back and forth thoughtlessly."
Q. In "The Men Who Stare at Goats," my friend says they used special effects to make the goats keel over, but I say they used those special Fainting Goats.
Q. In a recent Answer Man response you stated: "The three great world cinemas are American, French and Japanese." Wouldn't a certain Oscar-winning director, about whom you wrote a recent book, strongly disagree with that statement?
Q. I read that "Paranormal Activity," which reportedly cost between $11,000 and $18,000 to make, blew out the opposition pictures with multimillion-dollar budgets. Some of my friends have liked it, but I'm wondering ... Greg Nelson, Chicago
Q. I just viewed Charlie Chaplin's classic "City Lights" for the first time, in film a class. After letting the film's spell settle on us, my professor asked us to consider the final scene: specifically, what does the Girl really "see"? Most of our answers felt pretty obvious -- she sees the truth that the man she had loved is the Tramp, and not a millionaire, she sees that he is still the same person she loved and she accepts him, etc.
Q. I guess I saw a different movie from you, but "The Informant!" movie offended in the worst way -- it was boring! Matt Damon was boring, the dialogue was boring, the direction was boring. You need to curb your crushes on movie stars and start critiquing movies again based on their merits, not on how much your heart throbs. After giving this piece of crap four stars, you have lost all credibility. I wrote my newspaper, suggesting they drop you and rehire the local movie reviewer who recently lost his job. You aren't worth the money they pay.
Q. Why do you seem to categorically refuse to review Tyler Perry movies? "I Can Do Bad All By Myself" is now the No. 1 movie in America, as were a few of his previous films, but there is rarely a review on your site. Am I missing it or are you avoiding reviewing them?
Q. You make a good point in your review of “A Perfect Getaway” that many filmmakers can’t seem to resist giving away the entire plot or best jokes in their trailers. The trailer for “Valkyrie,” for instance, practically showed the entire film, saving me the time and expense of going to see it. As a history buff, I would have loved to have seen “Valkyrie,” but the endless trailer spoiled it for me. Why do you think so many filmmakers are hellbent on spoiling their work by giving away the story in previews?
Q. Having been a fan of the short-lived and vastly underrated animated series "The Critic," the episode "Siskel & Ebert & Jay & Alice" never ceases to make me laugh. Having also been a fan of yours, I wondered three things: 1. How did getting you and Gene Siskel on the show occur? 2. Did you have any say-so in your lines? 3. Were you a fan of the show?
Q. In “Public Enemies,” in the scene showing the escape from the prison in Indiana, it is a little strange that the soldiers guarding the prison were wearing the shoulder insignia of the 33rd Infantry Division of the Illinois National Guard.