It’s exciting to see Shyamalan on such confident footing once more, all these years later.
"Welcome to the Rileys" takes two old plots and makes a rather touching new plot out of them. What we've seen before is (1) the good man who hopes to redeem a prostitute, and (2) the frozen suburban couple who find new hope in their marriage. The film involves such characters in a story that is a little more real and involving than we expect.
James Gandolfini stars as Doug Riley, an Indianapolis plumbing supplies contractor. His wife, Lois (Melissa Leo), hasn't been able to leave their house in years. He's having an affair with Vivian (Eisa Davis), a black waitress at a pancake house, and their two brief scenes together show enormous warmth. He isn't ready to leave his wife, however, perhaps because he knows she would not survive alone. Their daughter was killed at 15 in a car crash.
Doug goes to New Orleans for a convention, is depressed, wanders into a stripper bar and finds himself through no desire of his own receiving a hard sell from Mallory (Kristen Stewart). He doesn't want sex. He wants to talk. She thinks he's crazy. She is worn and wounded, hostile and vulnerable. He drives her home and ends up fixing her plumbing, cleaning her shabby shotgun house and offering her $100 a day to stop hooking.
We think we see where this will lead. That's not where it leads. Ken Hixon's screenplay deliberately avoids most of the obligatory dialogue in a situation like this and throws some curves at us. One of the surprises involves Lois. Mired in deep depression, Doug decides with a jolt to sell his business and stay in New Orleans. When he informs Lois, she finds the courage to leave her house and drive herself down to New Orleans.