Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
Across the world's largest garbage dump, near Rio de Janeiro, the pickers crawl with their bags and buckets, seeking treasures that can be recycled: plastics and metals, mostly, but anything of value. From the air, they look like ants. You would assume they are the wretched of the earth, but those we meet in "Waste Land" seem surprisingly cheerful. They lead hard lives but understandable ones. They make $20 or $25 a day. They live nearby. They feel pride in their labor and talk of their service to the environment.
While the alleys of Chicago remain cluttered with ugly blue recycling bins that seem to be ignored and uncollected, the pickers rescue tons of recyclables from the dump and sell them to wholesalers, who sell them to manufacturers of car bumpers, cans, plastics and papers. They raise their children without resorting to drugs and prostitution. They have a pickers' association, which runs a clinic and demonstrates for their rights. From books rescued from the dump, one picker has assembled a community library. The head of the association says he learned much from a soggy copy of Machiavelli, once he had dried it out. He quotes from it, and you see that he did.
I do not mean to make their lives seem easy or pleasant. It is miserable work, even after they grow accustomed to the smell. But it is useful work, and I have been thinking much about the happiness to be found by work that is honest and valuable. If you set the working conditions aside (which of course you cannot), I suggest the work of a garbage picker is more satisfying than that of a derivatives broker. How does it feel to get rich selling worthless paper to people you have lied to?
"Waste Land," the documentary by Lucy Walker that has been nominated for an Academy Award this year, takes as its entry point into the lives of the pickers the work of the Brazilian artist Vik Muniz. As a youth, he had the good fortune to be shot in the leg by a rich kid, who paid him off; he used the money to buy a ticket to America, and now he is famous for art that turns garbage into giant constructions that he exhibits and photographs.