A frustratingly not-terrible action thriller.
Here is one of the most joyous musical documentaries in a long time, a celebration of the music and the singers that made up the Weavers. There are, I suppose, a lot of people who don't know who the Weavers were, but for a time in the fifties they were the top pop quartet in America, and for twenty years their recordings were a key influence on modern American folk music.
The owners of old Weavers record albums treasure them. I have four or five, and when things get depressing and the sky turns overcast and grim, I like to play one of them. There's just something magical about the joy with which the Weavers sing "Goodnight, Irene" or "Kisses Sweeter than Wine" or "The Sloop John B." or "This Land is Your Land." The Weavers reached their popular peak in the fifties, with a string of Top Ten hits, which also included "On Top of Old Smokey," "Tzena, Tzena," and "If I Had a Hammer" (which was written by the Weavers, and not, as many people believe, by Bob Dylan). The height of their popularity unfortunately coincided with the height of McCarthyism, and the Weavers, all of them longtime left-wing activists, were blacklisted. They couldn't get jobs on television or in nightclubs, and their records were banned.
For several years in the late fifties, the group existed primarily on records. And the artists went their separate ways: Ronnie Gilbert into theater, Fred Hellerman into San Franciso-area media projects, Pete Seeger into a successful solo concert career, and Lee Hays into semi-retirement on his New England farm.
There were many calls for a Weavers reunion (in some circles, an event more fervently desired than The Beatles reunion). And in May of 1980, Lee Hays himself convened such a reunion, inviting the other Weavers and their families and friends to a picnic on his farm. As they sat around and sang and played, the idea of a public reunion began to take shape, and on November 28 and 29 of 1980, they held one last historic concert at Carnegie Hall.
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