In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_walk_among_the_tombstones

A Walk Among the Tombstones

Fans of the hardboiled detective, rejoice. Screenwriter-director Scott Frank and actor Liam Neeson, adapting the splendid work of crime novelist Lawrence Block, have brought a…

Thumb_zero_theorem_ver4

The Zero Theorem

Terry Gilliam's first science fiction film since "12 Monkeys" is an inventively designed but oddly inert satire on technology, God and the future of humankind.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Other Articles
Channel Archives

Reviews

The Way West

  |  

Harold Hecht's "The Way West" is a handsomely photographed account of a picaresque journey along the Oregon Trail, but somehow I don't think it was supposed to be.

My hunch is that the film, like the A. B. Guthrie Jr. novel which inspired it, was intended to get close to the human motives of the settlers who left everything behind and ventured west.

All these pioneers weren't clean-cut, heroic frontier types with a yen for adventure. They were marginal farmers, bankrupt businessmen, religious zealots, parolees, visionaries, con men and, of course, clean-cut, heroic frontier types once in a while, too.

They didn't go west out of an unselfish desire to cultivate the prairies and spread civilization. They went for the same personal and selfish reasons men have always had, and some of them went to be tin hat Napoleons, and two-bit empire builders.

These are the kinds of characters examined in "The Way West.'' Kirk Douglas plays Sen. William Tadlock, who left Congress to lead a wagon train to Oregon and establish a utopia there. The utopia is all that matters; he drives his followers mercilessly.

Robert Mitchum plays a half-blind scout, defeated and indifferent, who goes because Douglas cajoles him. Richard Widmark is a restless settler who has to be always on the move.

The supporting characters are from a similarly mixed bag, and after several weeks on the trail their personal lives become entangled with their reasons for going west. It's all very promising material, but Hecht and director Andrew McLaglen bury it in a panorama of scenery and stock Western clichés (men have a fist-fight to see who will cross a river first).

There are times when the film seems right on target. Many scenes of everyday life on the wagon train are shot in a low key and acted with subtle humor. But then the camera pulls back and we see the mountains and the clouds while the sound track rejoices, and the illusion is lost. When the settlers leave Independence, Mo., indeed, there is even a banjo to sing them out of town.

If "The Way West" does not wholly succeed as drama, it is at least a well-made and wholly professional Hollywood Western. Western fans, myself included, might enjoy it for that alone. Widmark and Mitchum are excellent in roles unusual for them and Douglas, as always, is a seasoned old hand.

Popular Blog Posts

Now, "Voyager": in praise of the Trekkiest "Trek" of all

As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

The Unloved, Part Ten: "The Village"

Part ten in Scout Tafoya's The Unloved series tackles "The Village."

Defying Explanation: The Brilliance of David Lynch's "Eraserhead"

An appreciation of David Lynch's "Eraserhead" on the release of the film on Criterion Collection Blu-ray.

Reveal Comments
comments powered by Disqus