Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
Hot on the heels of "Space Cowboys," which was about four astro-codgers, here comes "The Crew," about four mobster-codgers. Go with the cowboys. One difference between the two movies is that "Space Cowboys" develops quirky characters and tells a story that makes it necessary for the old friends to have a reunion, while "The Crew" is all contrivance and we don't believe a minute of it.
Of course, "The Crew" wants only to be a comedy, not a bittersweet coda to "Wise Guys." But even at that, it fails because we don't buy the opening premise, which is that four onetime heavy-duty mobsters would all retire to the same seedy residential hotel on South Beach in Miami, there to tick down their days lined up in wicker chairs on the porch, watching the dollies go by. This is a situation that shouts out Plot, not Life, and everything that happens to them seems generated from over-confident chuckles in the screenwriting process.
The retired mobsters are Bobby Bartellemeo, Joey "Bats" Pistella, Mike "The Brick" Donatelli and Tony "Mouth" Donato (Bobby violently rejected one nickname in his youth, and never got another). In the same order, they're played by Richard Dreyfuss, Burt Reynolds, Dan Hedaya and Seymour Cassel. After this movie and "Mad Dog Time" (1996), which reached a kind of grandeur as one of the worst films of all time, Dreyfuss and Reynolds should instruct their agents to reject all further mob "comedies" on sight. The later stages of their careers cannot withstand another one.
The plot has to do with plans to upgrade their fleabag hotel into yet another art-retro South Beach Yuppie playpen. The old guys like where they live and want to preserve it, so they dream up a cockamamie scheme in which they steal a corpse from the morgue (Hedeya has a part-time job among the stiffs) and bring it back to the hotel, where they plan to shoot it and make it look like a murder, except that, as "Bats" complains, the old guy "looks like the pope." And so he does--Pope Pius XII, who was several popes ago, back when young "Bats" was no doubt taking a livelier interest in the church.
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